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10 Tips on how to write orchestral music

Niklas Wagner • May 3, 2023

Composing orchestral music can be an intimidating task for beginners, but it doesn't have to be. With the right guidance and a little bit of practice, anyone can start composing orchestral music. Here are ten tips to help beginners get started:

1. Start with an piano reduction


When it comes to composing music, especially orchestral music, starting with a piano reduction can be an incredibly useful first step. A piano reduction is essentially a simplified version of a piece of music, arranged for solo piano. This reduction allows you to focus on the fundamental elements of the composition, such as melody, harmony, and rhythm, without getting bogged down in the complexities of instrumentation. Starting with a piano reduction can help you to sketch out your ideas quickly and efficiently. You can experiment with different harmonies and melodic ideas and easily try out different arrangements without the need for an full orchestra. It also allows you to hear the music in a more stripped-down form, which can help you to refine your ideas and identify any potential issues with the composition. Once you have a solid foundation, you can then begin to add in other instruments and explore the full potential of your composition.

2. The importance of the musical motif

 
A musical motif is a short musical phrase that is repeated throughout a piece of music. Once you’ve found a chord progression that you like, you should start thinking about adding a melody on top of it. Experiment with different melodies until you find one that fits the chord progression and feels right for the style of music you're creating. It can be a simple melody or a rhythmic pattern. The use of a musical motif is an important tool in the composer's arsenal, as it can give your piece of music a distinct identity and help to communicate a particular mood or emotion. By repeating the same musical idea throughout the piece, the listener is able to make connections between different sections and themes. This helps to create a sense of structure and coherence within your composition. A motif can be used to represent a character, a place, or an idea and can help to communicate these elements to the listener. For example, a motif might be used to represent a character's theme in a film score, or to create a sense of tension or urgency in an action sequence. John Williams is renowned for his expertise in utilizing musical motifs in his film scores. He assigns a particular motif to a character or location to establish a sense of identity and continuity, which allows him to communicate complex emotions and ideas effectively. Let´s take „Hedwig’s Theme“ from the Harry Potter films as an example. 

While the theme itself is primarily associated with the character of Harry Potter, it is often used more generally throughout the films to represent the world of wizards and magic. Already in the first 5 minutes of the first film you can hear the theme play 6 times in different variations. Each variation of the theme is carefully crafted to evoke different emotions and moods, from the dramatic and triumphant orchestral version to the more subdued and melancholic celeste rendition. By using "Hedwig's Theme" in different orchestrations and styles, composer John Williams establishes a musical language that will be used throughout the rest of the Harry Potter film series, aswell as the „Fantastic Beasts“ movies, to create a sense of familiarity and continuity that helps to immerse the audience in the magical world of Harry Potter.

In a summary:  
A musical motif is a recurring musical idea or melody that can be used to unify a composition and convey meaning to the listener. By repeating a musical motif throughout a piece of music, a composer can create a sense of continuity and emotional resonance, helping to tell a story and connect with the audience.

3. Start small


Every great composition starts with a small idea. When starting out, it's best to focus on a single instrument or a small group of instruments, such as a string quartet or a woodwind trio. This will allow you to learn the fundamentals of orchestration without feeling overwhelmed. Starting small doesn't mean that your composition has to be simplistic or lacking in complexity. Instead, it means focusing on the core elements of your composition and refining them until they are strong and well-developed. By starting small, you can also experiment with different thematic ideas and approaches without the pressure of creating a grand, fully-realized work from the beginning. 

4. Getting to know the orchestra 


Getting to know the orchestra and its instruments is crucial for writing orchestral music. Take the time to study the unique characteristics, ranges, and capabilities of each instrument, as well as how they work together as a whole. Consider which instruments or sections of the orchestra would work best for a particular part of your composition and how you can use them to create the desired effect. By planning out your orchestration in advance, you can create a well-balanced and effective composition that showcases the unique qualities of each instrument in the orchestra.

5. Focus on the string family


The strings section in an orchestra is often considered the backbone of the ensemble. They have the ability to produce a wide range of sounds and moods and can be played with various techniques to achieve different effects. The strings are capable of producing different articulations such as pizzicato (plucking the strings), tremolo (rapidly repeating notes), and vibrato (a slight, rapid variation in pitch), which allows for a great deal of expression and nuance in their playing. Each member of the string family has its own unique sound and character, therefore arranging for them requires careful consideration of register, range, dynamics and articulations. Here are a few tips to keep in mind when you’re starting on orchestrating for the string section: 

  • Harmonically, the string family works best when their parts are spread out across different registers, as this allows for a more balanced and sonorous sound. If the parts are too close together, they can sound muddy and indistinct, especially when playing complex harmonies or chords. This helps the listener to better distinguish the individual lines and harmonies within the arrangement, resulting in a clearer and more satisfying listening experience.

 

  • When orchestrating for the string family, it's important to avoid adding too much detail in the lower section. In many cases, using the bass section in octaves can help to create a solid foundation for the harmony without muddying the sound. Additionally, using the bass section in octaves can help to reinforce the rhythmic structure of the piece, as the strong and steady pulse of the bass can provide a reliable anchor for the other instruments to build upon.

 

  • Using octaves can also be effective when it comes to orchestrating a melody for the string family. By doubling the melody in octaves, you can create a rich and complex harmonic texture that is both engaging and satisfying to listen to.

 

  • Get to know the different articulations (pizzicato, tremolo, staccato, etc.) To successfully orchestrate for the string family, it's important to familiarize yourself with the different articulations that are available. Each articulation produces a unique sound and can be used to convey a different mood or emotion within the music. For example, pizzicato can create a playful and percussive sound, while tremolo can create a sense of tension or excitement. By understanding the different articulations and how they can be used to enhance the emotional impact of your composition, you can create a more nuanced and expressive orchestration for the string family.

6. Keep it simple


When writing for an orchestra, it's often best to limit the number of parts you include to no more than four. The melody typically serves as the main focal point of the piece, while the bass provides a solid foundation and grounding for the music. Rhythmic elements help to drive the composition forward and add energy and movement to the piece, while harmony can be used to add complexity and depth to the overall sound. Of course, there are many other factors to consider when writing for an orchestra, but these four elements can be a helpful starting point. 

7. Finish your projects


Finishing your projects is crucial when it comes to composing orchestral music, or any kind of music for that matter. It's easy to get bogged down in the details or to become overly critical of your work, but ultimately, the most important thing is to complete your compositions. The goal is not necessarily to create a masterpiece with every composition, but to complete the work and learn from the process. Including a closing section is important as it provides a sense of resolution and completion to the composition, even if it's not perfect. When you don't finish a project, you miss out on the opportunity to learn from the entire process of creating a piece of music. You'll also gain experience in how to stay motivated and how to deal with creative roadblocks. All of these skills and experiences will help you become a better composer in the long run.

8. Listen to a lot of film and classical music


Studying orchestral scores is a crucial step to improving your orchestration skills. Listening to a wide range of film and classical music can help you develop a better understanding of orchestral music composition. Pay attention to how composers use different instruments and orchestration techniques to create specific moods and emotions in their music. Analyze their use of harmony, melody, rhythm, and form and try to apply what you learn to your own compositions. There are many resources available online or at your local library that can provide you with scores to study. If you can’t read music, there are also many visual tutorials and online courses that focus on orchestration and composition. Use whatever works best for you!

9. Get your music heard


Don't be afraid to put yourself out there and showcase your work. Feedback is essential for any creative endeavor and writing orchestral music is no exception. Share your work with fellow musicians, music teachers or online communities. Consider working with other musicians or composers to get fresh perspectives and new ideas. Also, seek feedback from professionals who can offer constructive criticism to help you improve your work. This feedback can help you identify areas of strength and weakness, as well as areas that need improvement.

10. Finally, enjoy yourself


Writing orchestral music can be a challenging but also rewarding experience. It's important to remember to have fun and enjoy the process. Experiment with different ideas, take risks and don't be afraid to make mistakes. As with any skill, practice is the key to becoming better. Keep writing and refining your compositions to continue improving your skills. The more you write, the better you will become. Celebrating your successes, even small ones can help you stay motivated and feel accomplished. It's important to recognize and appreciate the progress you've made, no matter how small it may seem. 


That’s it for today, so embrace the journey and have fun! Below you find some composers I’d suggest taking a listen to. 

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